Alena Alimova, a well-known Ukrainian actress, became a mother for the first time – in Israel

Alena Alimova, a well-known Ukrainian actress, became a mother for the first time — and did it in the way she has lived in recent years: without loud statements and unnecessary details. She announced the birth of her child herself, through social networks, carefully revealing what had long remained out of the public eye.

No press releases.
No dates, names, and comments “for everyone”.
Only personal footage and a calm tone.

And that was enough.

Alimova published a video where she is doing yoga on the beach. In the frame — a rounded belly, then fragments after the birth. It is known that the actress gave birth in Israel, but the name of the daughter and the exact date of birth are still not disclosed. This choice fits perfectly into her usual line — personal remains personal, even if you are a public person.

Career without sudden moves

Alena Alimova’s path in the profession was never built on scandals or outrageous images. She graduated from the directing faculty of the Kyiv National University of Culture and Arts, and took her first steps in the industry in Alan Badoev’s music videos.

Her film debut took place back in 2000, but widespread fame came later — with series and television projects that made her recognizable to millions of viewers.

A special place in this story is occupied by the series “When We Are at Home”, where Alimova played the manicurist Katya. The role turned out to be precise, lively, and unexpectedly close to the audience — without theatricality, without pomp. Just a person. That’s exactly why she was loved.

Personal life — off stage

Alimova never turned her private life into content. Neither relationships nor family decisions were brought into public discussion. The story of her daughter’s birth only confirms this approach: no demonstrativeness, no “exclusive”.

At the same time, her publications do not look detached, but on the contrary — warm and calm. This is not a desire to hide, but a conscious right to a boundary between profession and reality.

Motherhood as a continuation, not a pause

Alena Alimova’s story is not about sensation and not about “a new stage for the sake of a headline”. It’s a story about a person who knows how to live parallel to a career, not within it. Motherhood here is not opposed to the profession and does not become a public symbol.

In a world where personal life often turns into a series for social networks, such a choice seems almost rare.

And that’s exactly why it commands respect.

NANews — News of Israel | Nikk.Agency